1
00:00:10,260 --> 00:00:11,200
PREVIOUSLY ON
"CALIFORNICATION"...

2
00:00:12,630 --> 00:00:13,760
IT'S NOT A MEMOIR.

3
00:00:13,800 --> 00:00:16,430
IT'S A WRITTEN ACCOUNT OF MY
SEXUAL RELATIONSHIP WITH YOU.

4
00:00:16,470 --> 00:00:18,500
WRITTEN BY ME
AS A FUCKIN' NOVEL.

5
00:00:18,540 --> 00:00:21,440
EVEN I'M CONFUSED,
AND I STOLE THE DAMN THING.

6
00:00:22,710 --> 00:00:25,110
HOLY GUACAMOLE!

7
00:00:25,140 --> 00:00:27,140
Charlie: YOU HOCKED EVERYTHING.
IS THAT IT?

8
00:00:27,180 --> 00:00:30,150
I NEED TO FESS UP, OKAY?
IT'S PART OF THE PROCESS.

9
00:00:30,180 --> 00:00:32,420
ARE YOU READY TO HAVE
THE TIME OF YOUR LIFE?

10
00:00:32,450 --> 00:00:34,250
I'M KING
OF FUCK MOUNTAIN!

11
00:00:34,280 --> 00:00:35,790
I DON'T WANT TO DO
ANY MORE PORN.

12
00:00:35,820 --> 00:00:36,820
REALLY?

13
00:00:36,850 --> 00:00:39,420
YOU KNOW, IF I CAN'T
ACTUALLY BE WITH YOU, CHARLIE,

14
00:00:39,460 --> 00:00:42,230
I'D KIND OF LIKE THE LAST PERSON
I HAD ON-SCREEN SEX WITH

15
00:00:42,260 --> 00:00:43,230
TO BE YOU.

16
00:00:43,260 --> 00:00:44,230
[ SIGHS ]

17
00:00:44,260 --> 00:00:45,400
WHO ARE YOU?
DAMIEN.

18
00:00:45,430 --> 00:00:47,660
CALL ME "HE WHO WILL KILL YOU
IF YOU TOUCH HIS DAUGHTER."

19
00:00:47,700 --> 00:00:50,200
SHE'S PRETTY AWESOME.
SHE IS.

20
00:00:50,230 --> 00:00:51,840
HI, YOU DON'T KNOW ME.

21
00:00:51,870 --> 00:00:53,800
MY NAME IS HANK MOODY.
I'M A WRITER.

22
00:00:53,840 --> 00:00:56,110
I WANT TO ASK YOU A QUESTION
ABOUT LEW -- LEW ASHBY.

23
00:00:56,140 --> 00:00:57,710
[ GROANING ]
GET THE PEN.

24
00:00:59,410 --> 00:01:01,650
OH, I HATE
WHEN THAT HAPPENS.

25
00:01:01,680 --> 00:01:02,750
YOU'RE AN ASSHOLE!

26
00:01:02,780 --> 00:01:04,110
BUT WE
HAVEN'T EVEN DATED.

27
00:01:04,150 --> 00:01:05,620
JUST IN TIME.

28
00:01:06,680 --> 00:01:08,650
SO, LEW,
IT'S BEEN REAL.

29
00:01:08,690 --> 00:01:10,890
YIKES. WE'RE GONNA
SHAKE HANDS?
YES, WE ARE.

30
00:01:10,920 --> 00:01:13,390
WHAT THE FUCK?

31
00:01:13,420 --> 00:01:15,460
LIFE'S JUST TOO FUCKING BORING
NOT TO TRY.

32
00:01:15,490 --> 00:01:18,630
HEY, YOU KNOW, HE THROWS
THESE, UH, HUGE PARTIES.
YEAH, I'VE HEARD.

33
00:01:18,660 --> 00:01:20,160
GUEST OF HONOR
NEVER SHOWS.

34
00:01:29,210 --> 00:01:31,480
[ Singsong voice ]
WAKEY, WAKEY...

35
00:01:31,510 --> 00:01:33,340
EGGS AND BAKEY.

36
00:01:36,450 --> 00:01:37,580
COME ON! WAKE UP!

37
00:01:37,610 --> 00:01:39,420
WE GOT TO GET THE KIDS
TO SCHOOL ALREADY!

38
00:01:39,450 --> 00:01:41,850
OH, CHRIST, MIA.

39
00:01:41,890 --> 00:01:43,850
WHAT ARE YOU --
WHAT ARE YOU DOING?

40
00:01:43,890 --> 00:01:45,290
DID YOU FONDLE ME?

41
00:01:45,320 --> 00:01:47,820
I DON'T KNOW.
DO YOU FEEL FONDLED?

42
00:01:47,860 --> 00:01:49,560
I DO A LITTLE BIT.
GET OFF.

43
00:01:49,590 --> 00:01:51,930
IT'S WAY TOO EARLY
FOR YOUR SHENANIGANS.

44
00:01:51,960 --> 00:01:54,330
BUT NOT FOR THIS --
OUR REVIEW IN THE TIMES.

45
00:01:54,360 --> 00:01:57,270
I HAD TO GO ALL THE WAY
TO ONE OF THOSE OLD-MAN
NEWSSTANDS TO GET IT.

46
00:01:57,300 --> 00:01:58,870
WHY DO THEY STILL
HAVE THOSE, ANYWAY?

47
00:01:58,900 --> 00:02:00,770
WHAT,
OLD MEN OR NEWSSTANDS?

48
00:02:00,800 --> 00:02:02,870
[ CHUCKLES ]
LET'S READ IT TOGETHER.
NO, THANK YOU.

49
00:02:02,910 --> 00:02:04,410
I DON'T WANT
TO HEAR THAT SHIT.

50
00:02:04,440 --> 00:02:05,780
OF COURSE YOU WANT
TO HEAR THAT SHIT.

51
00:02:05,810 --> 00:02:06,780
DO YOU KNOW
HOW LONG IT'S BEEN

52
00:02:06,810 --> 00:02:08,810
SINCE YOU'VE ACTUALLY
HAD SOMETHING PUBLISHED?

53
00:02:08,850 --> 00:02:10,650
ALL RIGHT.
HERE IT GOES.

54
00:02:10,680 --> 00:02:13,950
"AT 17, MIA CROSS HAS EVERYTHING
MOST GIRLS WANT."

55
00:02:13,980 --> 00:02:16,490
STOP. I TOLD YOU
I DIDN'T WANT TO HEAR IT.

56
00:02:16,520 --> 00:02:18,420
NOW, WHAT ARE YOU EVEN DOING
HERE ANYWAY?

57
00:02:18,460 --> 00:02:20,190
I THOUGHT LEW GAVE YOU...
THE SPEECH.

58
00:02:20,220 --> 00:02:21,560
THE ONE
ABOUT HOW SPECIAL I AM

59
00:02:21,590 --> 00:02:22,960
AND HOW
WE'LL ALWAYS BE FRIENDS?

60
00:02:22,990 --> 00:02:24,460
YES, THAT ONE.

61
00:02:24,490 --> 00:02:26,460
HE DID.
AND I PRETENDED TO BE SAD.

62
00:02:26,500 --> 00:02:29,300
HE LET ME HAVE MY BOOK PARTY
HERE THIS AFTERNOON.

63
00:02:29,330 --> 00:02:31,400
OH, MY GOD.
OH, MY GOD!

64
00:02:31,440 --> 00:02:33,300
HOLY SHIT, SHIT, SHIT!

65
00:02:33,340 --> 00:02:34,970
"A STRANGELY POIGNANT
COMING-OF-AGE STORY

66
00:02:35,000 --> 00:02:38,440
"WRITTEN WITH THE SELF-ASSURANCE
OF A MUCH OLDER WRITER.

67
00:02:38,480 --> 00:02:40,280
"IN THE END,
THE BOOK'S TRUE SUBJECT

68
00:02:40,310 --> 00:02:42,410
"ISN'T SEX BUT LONELINESS.

69
00:02:42,450 --> 00:02:45,280
"IT'S HAUNTINGLY,
HOPELESSLY ROMANTIC

70
00:02:45,320 --> 00:02:47,220
IN THE BEST SENSE
OF THE WORD."

71
00:02:47,250 --> 00:02:48,490
THAT'S GOOD, RIGHT?

72
00:02:48,520 --> 00:02:51,390
WELL, I'LL BE DIPPED
IN DOG SHIT.
[ SQUEALING ]

73
00:03:35,400 --> 00:03:38,800
[ INDISTINCT CONVERSATIONS ]

74
00:03:40,740 --> 00:03:43,710
Charlie:
CHRIST, THIS MAY BE THE BEST
REVIEW YOU'VE EVER GOTTEN.

75
00:03:43,740 --> 00:03:44,710
YOU'RE NOT HELPING.

76
00:03:44,740 --> 00:03:46,740
WHAT DO YOU WANT ME TO DO,
HAVE IT LAMINATED

77
00:03:46,780 --> 00:03:48,710
SO YOU CAN CARRY IT AROUND
IN YOUR WALLET

78
00:03:48,750 --> 00:03:50,610
FOR THE REST
OF YOUR NATURAL-BORN DAYS?

79
00:03:50,650 --> 00:03:52,580
HAVE YOU SEEN
YOUR OLD ASSISTANT?

80
00:03:52,620 --> 00:03:54,650
SHE CAN GO FUCK HERSELF.

81
00:03:54,680 --> 00:03:56,720
NOT ALL WOMEN ARE LIKE THAT,
YOU KNOW --

82
00:03:56,750 --> 00:03:57,850
CONNIVING, VICIOUS...

83
00:03:57,890 --> 00:04:00,590
WILLING TO WALK ALL OVER A MAN
TO GET WHAT THEY WANT.

84
00:04:00,620 --> 00:04:03,290
I FORGET. IS THAT ONE OF THE
THINGS YOU GUYS DID TOGETHER?

85
00:04:03,330 --> 00:04:05,630
[ SIGHS ]
TAKE DAISY, FOR INSTANCE.

86
00:04:05,660 --> 00:04:07,930
OH, JESUS,
NOT THIS SHIT AGAIN.

87
00:04:07,960 --> 00:04:09,300
YES, THIS AGAIN.

88
00:04:09,330 --> 00:04:11,070
TELL YOU, MAN,
BEING WITH HER JUST --

89
00:04:11,100 --> 00:04:12,540
IT REMINDS ME OF EVERYTHING

90
00:04:12,570 --> 00:04:14,440
THAT'S SIMPLE AND GOOD
IN THE WORLD.

91
00:04:14,470 --> 00:04:16,570
SHE'S NOT RETURNING YOUR PHONE
CALLS, SHIT FOR BRAINS.

92
00:04:16,610 --> 00:04:18,710
BECAUSE SHE'S GOT
TOO MUCH INTEGRITY.
OH. OKAY.

93
00:04:18,740 --> 00:04:20,010
SHE KNOWS MARCY'S HOME
FROM REHAB.

94
00:04:20,040 --> 00:04:21,450
SHE THINKS
WE SHOULD COOL IT...

95
00:04:21,480 --> 00:04:23,410
YEAH, YEAH.
TAKE A BREATHER.

96
00:04:23,450 --> 00:04:25,720
INTEGRITY -- THAT'S A FINE
QUALITY IN A MISTRESS.

97
00:04:25,750 --> 00:04:26,650
BE CAREFUL.

98
00:04:26,680 --> 00:04:28,850
WHAT, I SHOULDN'T SAY
ANYTHING BAD ABOUT HER

99
00:04:28,890 --> 00:04:31,860
BECAUSE NEXT YEAR WE
MIGHT ALL BE SITTING
DOWN TO SEDER WITH HER?

100
00:04:31,890 --> 00:04:32,790
NOT ON MY WATCH, RUNKLE.

101
00:04:32,820 --> 00:04:34,820
YOU DON'T ABANDON A WOMAN
WHO STOOD BY YOU

102
00:04:34,860 --> 00:04:35,990
THICK AND THIN,
20 YEARS,

103
00:04:36,030 --> 00:04:37,660
THE MINUTE SHE GETS
OUT OF REHAB.

104
00:04:37,690 --> 00:04:39,760
NO, YOU WAIT 90 DAYS.
I LOOKED THAT SHIT UP.

105
00:04:39,800 --> 00:04:41,330
THAT'S THE DECENT THING
TO DO.

106
00:04:41,370 --> 00:04:42,430
Marcy: OH, I KNOW.

107
00:04:43,870 --> 00:04:46,700
OH! THE MARCE.

108
00:04:46,740 --> 00:04:48,810
THIS PLACE IS SO DIFFERENT
IN THE LIGHT OF DAY --

109
00:04:48,840 --> 00:04:49,710
NOT SO OMINOUS.

110
00:04:49,740 --> 00:04:51,980
HEY, SO WHAT'D YOU THINK
OF THE READING?

111
00:04:52,010 --> 00:04:54,710
HONESTLY, I COULD NOT
BE MORE SURPRISED.

112
00:04:54,740 --> 00:04:58,110
I KNOW. WHO KNEW
THE LITTLE VIXEN COULD WRITE?

113
00:04:58,150 --> 00:04:59,180
OH.
HMM.

114
00:04:59,220 --> 00:05:02,520
SO, WHAT SURPRISED YOU WAS
THE BASIC GOODNESS OF IT?

115
00:05:02,550 --> 00:05:04,120
WELL, I HAVEN'T READ
THE WHOLE BOOK.

116
00:05:04,150 --> 00:05:05,990
I MEAN, I JUST READ
THE PASSAGE, SO...

117
00:05:06,020 --> 00:05:08,590
SO GOOD,
NOT EXCELLENT?

118
00:05:10,690 --> 00:05:12,860
WE HAVE A QUESTION.

119
00:05:12,900 --> 00:05:13,930
FIRE AWAY.

120
00:05:13,960 --> 00:05:16,470
MOM SAYS WE'RE NOT OLD ENOUGH
TO STAY FOR THE PARTY.

121
00:05:16,500 --> 00:05:17,470
RIGHT.

122
00:05:17,500 --> 00:05:18,740
WHAT DO YOU THINK?

123
00:05:18,770 --> 00:05:21,740
OH, SO IT'S A TRICK QUESTION,
BIT OF A HAND GRENADE.

124
00:05:21,770 --> 00:05:23,770
I'D KIND OF LIKE
TO MEET LEW ASHBY.

125
00:05:23,810 --> 00:05:26,910
REALLY? HERE'S A TIP -- DON'T
GIVE HIM ONE OF YOUR DEMOS.

126
00:05:26,940 --> 00:05:29,050
COME ON, MOM.
WHERE'S THE TRUST?

127
00:05:29,080 --> 00:05:30,180
LET US LIVE A LITTLE.

128
00:05:30,210 --> 00:05:34,020
THERE'S A RUMOR AFLOAT THAT
ROGER DALTREY MIGHT SHOW.

129
00:05:34,050 --> 00:05:36,620
OKAY, WE'LL STAY
FOR A LITTLE BIT,

130
00:05:36,650 --> 00:05:39,690
JUST A LITTLE WHILE,
OKAY?

131
00:05:39,720 --> 00:05:40,690
MM-HMM.

132
00:05:40,720 --> 00:05:41,760
[ CHUCKLES ]

133
00:05:41,790 --> 00:05:43,690
ALL RIGHT.
HAVE FUN, CHILDREN.

134
00:05:43,730 --> 00:05:46,460
LONG LIVE
ROCK 'N' ROLL.

135
00:05:46,500 --> 00:05:50,730
I THINK THAT WAS A --
THAT WAS A GOOD DECISION.

136
00:05:50,770 --> 00:05:52,400
SOLID PARENTING.

137
00:05:52,440 --> 00:05:55,540
[ INDISTINCT CONVERSATIONS,
ROCK-'N'-ROLL MUSIC PLAYING ]

138
00:05:59,180 --> 00:06:02,080
CLUB SODA WITH A TWIST.

139
00:06:02,110 --> 00:06:04,080
ALCOHOL IS STILL OKAY
FOR ME, RIGHT?

140
00:06:04,110 --> 00:06:05,680
YOU DO
WHAT YOU HAVE TO DO.

141
00:06:05,720 --> 00:06:08,150
PEOPLE WHO LIVE IN FEAR
NEED TO BE CHEMICALLY ALTERED.

142
00:06:08,180 --> 00:06:10,150
OKAY. SO WHAT AM I
SO AFRAID OF, THEN?

143
00:06:10,190 --> 00:06:11,820
HOW THE FUCK
SHOULD I KNOW?

144
00:06:11,860 --> 00:06:13,790
BUT YOU'VE BEEN SCARFING
THOSE THINGS

145
00:06:13,820 --> 00:06:16,460
LIKE THE STRESS-EATER
MAMA RUNKLE RAISED YOU TO BE.

146
00:06:16,490 --> 00:06:18,160
HEY, THERE'S DANI.

147
00:06:18,190 --> 00:06:20,160
I NEED TO TALK TO HER.
SHE'S ON MY LIST.

148
00:06:20,200 --> 00:06:22,730
NO, NO.
NO FUCKING WAY, OKAY?

149
00:06:22,770 --> 00:06:25,540
HER WE DO NOT FORGIVE,
NOR DO WE ASK HER FORGIVENESS.

150
00:06:25,570 --> 00:06:28,200
YOU CAN'T TELL ME WHO I CAN
AND CANNOT MAKE AMENDS TO.

151
00:06:28,240 --> 00:06:29,840
YES. YES, I CAN.

152
00:06:29,870 --> 00:06:32,540
WE, AS A FAMILY,
DO NOT FORGIVE HER.

153
00:06:32,580 --> 00:06:35,450
ALL THE BAD SHIT THAT'S HAPPENED
TO US -- SHE STARTED IT.

154
00:06:35,480 --> 00:06:37,880
SHE'S THE CAUSE OF IT.
SHE'S THE OUTBREAK MONKEY.

155
00:06:37,910 --> 00:06:40,050
DID YOU SEE THAT GIRL
WITH THE SPICY SHRIMP ROLLS

156
00:06:40,080 --> 00:06:41,220
GO THROUGH THERE?

157
00:06:41,250 --> 00:06:42,490
Lew: OKAY, OKAY.
UPSTAIRS, PEOPLE.

158
00:06:42,520 --> 00:06:44,490
YOU JUST DO
THE DRUGS UPSTAIRS.

159
00:06:44,520 --> 00:06:46,560
FOR FUCK'S SAKE, THERE'S
CHILDREN PRESENT, OKAY?

160
00:06:46,590 --> 00:06:47,690
SO JUST MOVE IT ON UP, OKAY?

161
00:06:47,720 --> 00:06:49,460
JUST MOVE IT ON UP.
MOTHER MARY.

162
00:06:49,490 --> 00:06:52,230
THAT WOULDN'T HAPPEN TO BE
COCAINE THERE, WOULD IT?

163
00:06:52,260 --> 00:06:55,000
COCAINE, METH.
I THINK THIS IS HEROIN.

164
00:06:55,030 --> 00:06:57,470
SOME PEOPLE REALLY HAVE
PROBLEMS, YOU KNOW?

165
00:06:57,500 --> 00:06:58,970
I HAD TO REMORTGAGE
OUR HOUSE

166
00:06:59,000 --> 00:07:00,670
IN ORDER TO SEND HER
TO PASSAGES.

167
00:07:00,700 --> 00:07:01,640
YOU KNOW WHAT I'M SAYING?

168
00:07:01,670 --> 00:07:03,740
HEY, NEXT TIME LET ME KNOW.
I KNOW PEOPLE.

169
00:07:03,770 --> 00:07:05,810
I CAN HOOK YOU UP,
ARRANGE A LITTLE DISCOUNT.

170
00:07:05,840 --> 00:07:06,880
"NEXT TIME"?

171
00:07:06,910 --> 00:07:08,210
YEAH, THERE'S ALWAYS
A NEXT TIME.

172
00:07:08,240 --> 00:07:11,080
YOU KEEP WORKING THOSE STEPS,
BABY GIRL.

173
00:07:11,110 --> 00:07:14,520
GOT A LITTLE SOMETHING THAT
DAVID CROSBY ONCE TOLD ME --

174
00:07:14,550 --> 00:07:18,050
A LITTLE POT --
IT'S NOT CHEATING, HUH?

175
00:07:18,090 --> 00:07:21,490
I DEEPLY AND PROFOUNDLY
LOVE MYSELF.

176
00:07:21,530 --> 00:07:24,890
I DEEPLY AND PROFOUNDLY
LOVE MYSELF.

177
00:07:26,130 --> 00:07:28,700
HEY, THERE HE IS --
NOT SO FAST, YOU.

178
00:07:28,730 --> 00:07:30,230
LOOK WHO'S HERE.
IT'S ANNIKA STALEY.

179
00:07:30,270 --> 00:07:32,170
FROM ROLLING STONE MAGAZINE.
HELLO.

180
00:07:32,200 --> 00:07:33,800
PLEASURE
TO SEE YOU AGAIN.

181
00:07:33,840 --> 00:07:35,810
HOW ARE THE TOE CRAMPS?

182
00:07:35,840 --> 00:07:37,740
ANNIKA HAS AN INTERESTING
LITTLE THEORY

183
00:07:37,770 --> 00:07:39,940
ABOUT THE BOOK
THAT SHE'S BEEN SHARING WITH US.

184
00:07:39,980 --> 00:07:42,680
A LITERARY THEORY?
NONE FOR ME, THANK YOU.

185
00:07:42,710 --> 00:07:45,680
WELL, I WAS JUST SAYING HOW,
WHEN I REREAD THE BOOK,

186
00:07:45,720 --> 00:07:47,980
IT JUST BECAME
COMPLETELY OBVIOUS TO ME

187
00:07:48,020 --> 00:07:50,290
THAT YOUR FINGERPRINTS
ARE ALL OVER IT.

188
00:07:50,320 --> 00:07:51,350
MY -- MY FINGERPRINTS?

189
00:07:51,390 --> 00:07:53,690
MY -- MY STYLISTIC
FINGERPRINTS, MY STYLE.

190
00:07:53,720 --> 00:07:56,890
NO, COME ON. HER STYLE'S
MUCH MORE FLUID THAN YOURS.

191
00:07:56,930 --> 00:07:58,290
I MEAN -- I MEAN YOU --

192
00:07:58,330 --> 00:08:01,800
YOUR PERSONALITY,
YOUR, UH -- YOUR TICS,

193
00:08:01,830 --> 00:08:03,230
THAT SENSE OF HUMOR OF YOURS,
YOU KNOW.

194
00:08:03,270 --> 00:08:05,770
COME ON.
IT'S YOU, ISN'T IT?
EXCUSE ME?

195
00:08:05,800 --> 00:08:07,300
THE GUY IN THE BOOK.

196
00:08:07,340 --> 00:08:10,570
IT'S A MEMOIR. IT'S OBVIOUSLY
BASED ON SOME REAL PERSON.

197
00:08:10,610 --> 00:08:12,310
I-I-I SEE NO REASON
TO ASSUME

198
00:08:12,340 --> 00:08:14,810
SOMETHING LIKE THAT
NOWADAYS, YOU KNOW.

199
00:08:14,840 --> 00:08:16,310
HOW ABOUT -- HOW ABOUT
ALL THESE PEOPLE

200
00:08:16,350 --> 00:08:18,050
PASSING OFF THEIR NOVELS
AS TRUE STORIES

201
00:08:18,080 --> 00:08:20,180
JUST BECAUSE NOBODY GIVES A FUCK
ABOUT FICTION ANYMORE?

202
00:08:20,220 --> 00:08:21,180
I FIND THAT FASCINATING.

203
00:08:21,220 --> 00:08:22,650
YEAH,
THAT'S TOTALLY BORING.

204
00:08:22,690 --> 00:08:25,760
NOT TO ME.
BUT -- BUT A SEXY OLDER MAN

205
00:08:25,790 --> 00:08:27,290
WHO SEDUCES A TEENAGE GIRL,

206
00:08:27,320 --> 00:08:29,260
NOT KNOWING
SHE'S A TEENAGER.

207
00:08:29,290 --> 00:08:31,060
NO.
[ WHISTLES ]

208
00:08:31,090 --> 00:08:33,630
IS THAT WHAT THIS THING'S ABOUT?
I GOT TO GET ME A COPY.

209
00:08:33,660 --> 00:08:34,800
COME ON. ADMIT IT.

210
00:08:34,830 --> 00:08:35,670
YOU GUYS OBVIOUSLY HAD

211
00:08:35,700 --> 00:08:38,800
SOME KIND OF A...
RELATIONSHIP, RIGHT?

212
00:08:40,100 --> 00:08:42,810
ANNIKA, I THINK YOU'RE WORKING
A LITTLE TOO HARD TONIGHT.

213
00:08:42,840 --> 00:08:45,240
HOW ABOUT WE GO MEET
ZAKK WYLDE?

214
00:08:45,270 --> 00:08:47,210
WHO'S ZAKK WYLDE?

215
00:08:47,240 --> 00:08:50,180
EXCUSE US. I HAVE TO THROW
THIS CHICK OUT OF MY PARTY.

216
00:08:50,210 --> 00:08:51,680
COME ON.

217
00:08:52,920 --> 00:08:54,680
WHAT THE FUCK
ARE YOU DOING?

218
00:08:54,720 --> 00:08:55,950
YOU THINK THIS IS FUNNY?

219
00:08:55,990 --> 00:08:59,360
UH, SO SHE MAYBE WRITES
A LITTLE BLURB ABOUT US.

220
00:08:59,390 --> 00:09:00,620
SO WHAT?

221
00:09:00,660 --> 00:09:02,160
IT'S NOT LIKE
THEY'RE GONNA MAKE YOU

222
00:09:02,190 --> 00:09:03,890
GO LIVE IN FRANCE
WITH ROMAN POLANSKI.

223
00:09:03,930 --> 00:09:05,800
IT'LL JUST BE
ONE OF THOSE HYPOTHETICAL,

224
00:09:05,830 --> 00:09:08,870
"GUESS WHICH WASHED-UP
NOVELIST?" THINGS.

225
00:09:08,900 --> 00:09:11,300
YEAH. I DON'T THINK KAREN IS
EVER GONNA LOOK AT IT THAT WAY.

226
00:09:11,330 --> 00:09:14,700
OH. SHE'LL GET OVER IT...
EVENTUALLY.

227
00:09:14,740 --> 00:09:15,870
[ CHUCKLES ]

228
00:09:15,910 --> 00:09:19,180
AND IT COULD BE GREAT PUBLICITY
FOR YOUR BOOK ABOUT ASHBY.

229
00:09:19,210 --> 00:09:21,380
LOOK, MIA, NOT EVERYBODY
THAT PICKS UP A PEN

230
00:09:21,410 --> 00:09:23,050
SWEATS BLOOD
FOR PUBLICITY.

231
00:09:23,080 --> 00:09:25,650
YOU'VE GOT TO DISABUSE ANNIKA
OF THIS PERSPECTIVE.

232
00:09:25,680 --> 00:09:27,620
MM. SHE BELIEVES
WHAT SHE BELIEVES.

233
00:09:27,650 --> 00:09:29,020
AND IT'S
YOUR OWN DAMN FAULT.

234
00:09:29,050 --> 00:09:31,860
YOU SHOULDN'T HAVE GIVEN HER
SUCH A MIND-BLOWING ORGASM.

235
00:09:31,890 --> 00:09:33,720
WHAT? THAT'S WHAT
THIS IS ABOUT --

236
00:09:33,760 --> 00:09:36,260
I DIDN'T CALL HER BACK?
THERE WAS NO REPEAT PERFORMANCE?

237
00:09:36,290 --> 00:09:38,630
NO. I MEAN THAT
THAT'S WHAT TIPPED HER OFF.

238
00:09:38,660 --> 00:09:40,300
SHE SAID THAT
THE REAL-LIFE FUCKING

239
00:09:40,330 --> 00:09:42,630
SEEMED A LOT LIKE THE FUCKING
IN THE BOOK.

240
00:09:42,670 --> 00:09:44,870
WHAT?
MINUS THE PUNCHING,
OF COURSE,

241
00:09:44,900 --> 00:09:47,170
SO YOU MAY WANT TO GET
SOME NEW MOVES NOW.

242
00:09:47,200 --> 00:09:51,640
IF YOU'LL EXCUSE ME,
I'M GONNA GO ENJOY MY PARTY.

243
00:09:51,680 --> 00:09:54,240
I THINK I MAY BE OVER
MY THING WITH OLDER MEN.

244
00:09:54,280 --> 00:09:55,750
MM, MM.

245
00:09:57,380 --> 00:09:59,650
I MEAN, EVER SINCE
I STARTED MEDITATING --

246
00:09:59,680 --> 00:10:02,050
DON'T SAY ANYTHING --
OH, MY GOD.

247
00:10:02,090 --> 00:10:02,990
I'M MORE IN TOUCH

248
00:10:03,020 --> 00:10:05,390
WITH THE EMOTIONS
OF THE PEOPLE AROUND ME.

249
00:10:05,420 --> 00:10:06,820
I'M NOT SO EGO-FOCUSED.

250
00:10:06,860 --> 00:10:08,190
WELL, YOU SOUND LIKE --

251
00:10:08,220 --> 00:10:10,360
WELL, OKAY.
THAT'S GOOD, SWEETIE.

252
00:10:10,390 --> 00:10:12,430
THAT'S -- THAT'S --
THAT'S PROGRESS, RIGHT?

253
00:10:12,460 --> 00:10:13,860
THAT'S WHY
YOU WENT THERE.

254
00:10:13,900 --> 00:10:15,900
DID HANK
SAY ANYTHING TO YOU

255
00:10:15,930 --> 00:10:18,230
ABOUT CHARLIE GETTING
UP TO ANY WEIRD SHIT

256
00:10:18,270 --> 00:10:19,340
WHILE I WAS AWAY?

257
00:10:19,370 --> 00:10:21,270
NO. WHAT?

258
00:10:21,300 --> 00:10:25,780
WELL, YOU KNOW,
HE'S STRESS-EATING,

259
00:10:25,810 --> 00:10:28,180
AND HE'S NOT PAWING AT ME
OR PRESSURING ME FOR SEX.

260
00:10:28,210 --> 00:10:31,180
WELL, THANK GOD, RIGHT?
I MEAN --

261
00:10:31,210 --> 00:10:33,950
WELL, HE SEEMS RESTLESS.

262
00:10:33,980 --> 00:10:36,320
WELL, HONEY,
WHAT ABOUT YOU?

263
00:10:36,350 --> 00:10:40,290
I HAVE INNER PEACE, BABY.
I SEE WHAT'S IMPORTANT.

264
00:10:40,320 --> 00:10:43,790
AND BY BEING LOYAL AND FAITHFUL
TO CHARLIE,

265
00:10:43,830 --> 00:10:46,130
I ATTRACT THAT SAME SHIT
BACK INTO MY LIFE.

266
00:10:46,160 --> 00:10:48,800
THAT'S HOW
THE UNIVERSE WORKS.

267
00:10:48,830 --> 00:10:50,800
I'M VERY PROUD OF YOU.

268
00:10:50,830 --> 00:10:52,440
YOU LIKE THAT?
YES, I DO.

269
00:10:52,470 --> 00:10:54,770
OH, YEAH, COME ON.
IT'S PROGRESS.

270
00:10:54,800 --> 00:10:56,310
HEY, NOT THAT WAY.

271
00:10:56,340 --> 00:10:57,710
UNH-UNH. COME.

272
00:10:57,740 --> 00:10:59,110
WHY? ARE THERE DRUGS
THAT WAY?

273
00:10:59,140 --> 00:11:00,480
I'M STRONG.
I CAN HANDLE IT.

274
00:11:00,510 --> 00:11:03,380
NO. I'M NOT STRONG.
COME ON, LET'S GO.

275
00:11:03,410 --> 00:11:05,780
WHAT?
IT'S JUST LEW ASHBY.
WELL, RIGHT.

276
00:11:05,820 --> 00:11:07,780
I DON'T WANT TO, LIKE,
FAN THE FLAMES, YOU KNOW.

277
00:11:07,820 --> 00:11:09,250
WHAT?

278
00:11:09,290 --> 00:11:10,450
HE BURNS FOR YOU?

279
00:11:10,490 --> 00:11:12,790
SHIT.
I MISSED A LOT, DIDN'T I?

280
00:11:12,820 --> 00:11:14,060
NO, YOU DID NOT.

281
00:11:14,090 --> 00:11:15,490
HE -- HE'S LIKE A TODDLER,
YOU KNOW.

282
00:11:15,520 --> 00:11:17,190
HE SEES SOMETHING SHINY
IN HIS MIDST,

283
00:11:17,230 --> 00:11:18,860
AND HE --
HE KIND OF WANTS IT.

284
00:11:18,900 --> 00:11:21,360
YOU ARE SHINY.

285
00:11:21,400 --> 00:11:23,430
OF COURSE HE DOES.

286
00:11:23,470 --> 00:11:25,870
OH, MY GOD.

287
00:11:25,900 --> 00:11:26,870
WHAT?

288
00:11:26,900 --> 00:11:27,900
Oh, my God!

289
00:11:27,940 --> 00:11:29,140
Look!
Look, look, look!
What?

290
00:11:29,170 --> 00:11:31,940
I've been trying to
give them space --
it's Damien and Becca.

291
00:11:31,980 --> 00:11:33,310
Where?
Right there!

292
00:11:33,340 --> 00:11:34,940
Not everyone
is freakishly tall!

293
00:11:34,980 --> 00:11:35,780
Okay.

294
00:11:35,810 --> 00:11:38,410
CAN YOU SEE?
THAT'S SWEET, ISN'T IT?

295
00:11:38,450 --> 00:11:41,020
NO?
NOT REALLY
SO SWEET, NO.

296
00:11:41,050 --> 00:11:41,920
WHY NOT?

297
00:11:41,950 --> 00:11:46,390
BECAUSE ISN'T THAT
THE BECCA RIGHT THERE?

298
00:11:46,420 --> 00:11:49,330
THAT WOULD BE.
OH, MY GOD.

299
00:11:49,360 --> 00:11:50,990
TAKE IT.

300
00:11:51,030 --> 00:11:54,060
OH, HEY, BEC!

301
00:11:54,100 --> 00:11:56,200
[ CLEARS THROAT ]
COME HERE.

302
00:11:56,230 --> 00:11:58,430
OH, NO. OH, GOD.

303
00:11:58,470 --> 00:12:01,970
I'M THE BEST ME
I CAN POSSIBLE BE.

304
00:12:02,010 --> 00:12:05,340
I'M THE BEST ME
I CAN POSSIBLE BE.

305
00:12:10,380 --> 00:12:13,050
[ SIGHS ]

306
00:12:13,080 --> 00:12:15,150
I TELL YOU, I'M JUST FRESH
OUT OF ANSWERS.

307
00:12:15,180 --> 00:12:16,820
MAYBE MARCY'S RIGHT,
YOU KNOW.

308
00:12:16,850 --> 00:12:19,020
MAYBE WE ALL JUST NEED TO
SURRENDER TO SOME HIGHER POWER,

309
00:12:19,060 --> 00:12:22,390
YOU KNOW, JUST --
JUST BE CLEAR AND LET GO.

310
00:12:22,430 --> 00:12:24,860
FUCK THAT.
YOU SOUND LIKE JULIAN.

311
00:12:24,890 --> 00:12:26,430
WELL, MAYBE JULIAN'S
ON TO SOMETHING.

312
00:12:26,460 --> 00:12:28,300
GUY GETS MORE PUSSY
THAN EITHER ONE OF US.

313
00:12:28,330 --> 00:12:29,400
EITHER ONE OF US?

314
00:12:29,430 --> 00:12:32,340
WHO ARE YOU FUCKING BESIDES
YOUR WIFE AND A PORN STAR?

315
00:12:32,370 --> 00:12:34,240
MIND IF I JOIN YOU GUYS?

316
00:12:34,270 --> 00:12:36,110
YES.
NO. NO.
PULL UP A CHAIR.

317
00:12:36,140 --> 00:12:37,470
YOU'VE ALWAYS HAD
A UNIQUE ABILITY

318
00:12:37,510 --> 00:12:39,980
TO TALK SENSE
INTO THIS MAN.

319
00:12:40,010 --> 00:12:41,210
DON'T MIND IF I DO.

320
00:12:41,240 --> 00:12:43,110
SO, WHAT COMPROMISING POSITION

321
00:12:43,150 --> 00:12:45,480
HAS HE GOTTEN HIMSELF
INTO THIS TIME?

322
00:12:45,510 --> 00:12:47,150
WELL, IT SEEMS
THAT HIS NEW CAREER IN PORN

323
00:12:47,180 --> 00:12:48,220
IS NOT ENOUGH FOR HIM.

324
00:12:48,250 --> 00:12:50,050
HE ALSO HAS TO MARRY
THE PORN STAR,

325
00:12:50,090 --> 00:12:51,550
SAVE HER FROM HER ROAD
TO RUIN.

326
00:12:51,590 --> 00:12:53,460
APPARENTLY HE'S NEVER
SEEN "STAR 80."

327
00:12:53,490 --> 00:12:55,060
WHAT ABOUT MARCY?

328
00:12:55,090 --> 00:12:56,930
WHAT ABOUT MARCY?
HERE'S A THOUGHT.

329
00:12:56,960 --> 00:12:58,460
WHAT ABOUT MARCY?
HERE'S A THOUGHT.

330
00:12:58,490 --> 00:13:00,130
MAYBE THE TWO PEOPLE
IN THIS CONVERSATION

331
00:13:00,160 --> 00:13:02,530
WHO HAVE NEVER BEEN MARRIED
SHOULD SHUT THE FUCK UP

332
00:13:02,570 --> 00:13:04,600
AND NOT PASS JUDGMENT
ON THE ONE WHO HAS.

333
00:13:04,630 --> 00:13:06,340
HERE'S A THOUGHT
RIGHT BACK AT YOU.

334
00:13:06,370 --> 00:13:07,940
MAYBE MARCY'S
NOT THE PROBLEM.

335
00:13:07,970 --> 00:13:09,540
I NEVER SAID SHE WAS.

336
00:13:09,570 --> 00:13:11,340
"DAMN MY COKE ADDICT
OF A WIFE,"

337
00:13:11,370 --> 00:13:13,410
I'VE HEARD YOU SAY
ON SEVERAL OCCASIONS.

338
00:13:13,440 --> 00:13:16,210
MM, IT SEEMS TO ME
YOU'VE TRAVELED A LONG ROAD

339
00:13:16,250 --> 00:13:18,610
TO END UP RIGHT BACK WHERE
YOU WERE NINE MONTHS AGO --

340
00:13:18,650 --> 00:13:20,480
ENTHRALLED TO SOME
MUCH YOUNGER WOMAN

341
00:13:20,520 --> 00:13:23,220
WHO ALLOWS YOU TO FEEL LIKE
YOU'RE COMPLETELY IN CONTROL --

342
00:13:23,250 --> 00:13:26,120
A MASTER OF THE UNIVERSE,
IF YOU WILL.

343
00:13:26,160 --> 00:13:30,130
OR IN HIS CASE, A MASTURBATOR
OF THE UNIVERSE, IF YOU WILL.

344
00:13:30,160 --> 00:13:32,130
[ Sarcastically ]
HA HA HA HA HA.

345
00:13:32,160 --> 00:13:33,500
WHO KNOWS?

346
00:13:33,530 --> 00:13:35,560
MAYBE IT'S YOUR DESTINY,
CHARLIE RUNKLE.

347
00:13:35,600 --> 00:13:37,430
MAYBE YOU WERE
BORN TO DOMINATE...

348
00:13:37,470 --> 00:13:39,270
OH, NO.

349
00:13:39,300 --> 00:13:41,970
...IN WHICH CASE, MY ADVICE
TO YOU IS EMBRACE IT,

350
00:13:42,010 --> 00:13:44,240
BE WHO YOU ARE,
LET YOUR FREAK FLAG FLY.

351
00:13:44,270 --> 00:13:46,540
INTERESTING.

352
00:13:46,580 --> 00:13:48,340
BECCA, COME ON, SWEETIE.

353
00:13:48,380 --> 00:13:49,480
JUST LET ME IN.
COME ON.

354
00:13:49,510 --> 00:13:50,410
Lew:
WHAT THE HELL?

355
00:13:50,450 --> 00:13:52,980
SOMEBODY BETTER NOT BE DOING
COKE IN THERE.

356
00:13:53,020 --> 00:13:54,620
OH, SORRY.

357
00:13:54,650 --> 00:13:56,150
IT'S -- IT'S BECCA.

358
00:13:56,190 --> 00:13:57,890
IS SHE OKAY?

359
00:13:57,920 --> 00:13:59,890
SHE FOUND THAT ASSHOLE
BOYFRIEND OF HERS

360
00:13:59,920 --> 00:14:01,420
MAKING OUT
WITH ANOTHER GIRL.

361
00:14:05,330 --> 00:14:08,030
BECCA.
IT'S LEW ASHBY.

362
00:14:08,060 --> 00:14:10,300
OH, WELL,
THAT'S JUST GONNA DO IT.

363
00:14:10,330 --> 00:14:14,900
BECCA, I KNOW THINGS ARE FEELING
PRETTY SHITTY RIGHT NOW --

364
00:14:14,940 --> 00:14:17,110
CRAPPY, WHATEVER.

365
00:14:17,140 --> 00:14:20,110
BUT, UH, IN TWO WEEKS,
SLIPKNOT'S AT THE FORUM,

366
00:14:20,140 --> 00:14:23,310
AND IF YOU OPEN UP THIS DOOR,
LET YOUR MOTHER IN THE BATHROOM,

367
00:14:23,350 --> 00:14:25,010
YOU'RE THERE, BACKSTAGE.

368
00:14:25,050 --> 00:14:27,020
YOU'RE AT THE FREAKIN'
SOUND CHECK, OKAY?

369
00:14:27,050 --> 00:14:28,320
YOU KNOW WHAT?

370
00:14:28,350 --> 00:14:29,490
THAT'S REALLY SWEET,

371
00:14:29,520 --> 00:14:31,520
BUT MY DAUGHTER
CANNOT BE BRIBED.

372
00:14:33,220 --> 00:14:35,220
NOT YOU...

373
00:14:35,260 --> 00:14:37,360
HIM.

374
00:14:37,390 --> 00:14:39,100
OKAY.

375
00:14:42,130 --> 00:14:43,330
I'M REALLY SORRY.

376
00:14:43,370 --> 00:14:46,100
SHE'S GOING THROUGH
SOME STUFF, SO...

377
00:14:46,140 --> 00:14:48,700
IT'S RECENTLY COME
TO MY ATTENTION

378
00:14:48,740 --> 00:14:51,140
THAT MEN
CANNOT BE TRUSTED.

379
00:14:51,170 --> 00:14:53,410
TRUER WORDS
HAVE NEVER BEEN SPOKEN.

380
00:14:53,440 --> 00:14:55,440
CAN YOU PROVIDE
ANY ASSURANCE

381
00:14:55,480 --> 00:14:58,980
THAT YOU'LL FOLLOW THROUGH
ON THIS EXTRAVAGANT PROMISE?

382
00:14:59,020 --> 00:15:00,520
CAN YOU PROVIDE
ANY ASSURANCE

383
00:15:00,550 --> 00:15:03,350
YOU'RE ACTUALLY GONNA LET
YOUR MOTHER INTO THE BATHROOM?

384
00:15:03,390 --> 00:15:05,960
NO.

385
00:15:05,990 --> 00:15:10,060
SO, I GUESS WE HAVE NO CHOICE
BUT TO, UH, TRUST EACH OTHER.

386
00:15:22,470 --> 00:15:24,970
LOOK.

387
00:15:25,010 --> 00:15:27,340
IT'S GONNA TAKE
THAT DUDE 15 YEARS

388
00:15:27,380 --> 00:15:30,050
BEFORE HE REALIZES
WHAT HE'S MISSING.

389
00:15:30,080 --> 00:15:32,380
HE'S MISSING A LOT,

390
00:15:32,420 --> 00:15:35,180
'CAUSE YOU'RE
FUCKING MAGIC.

391
00:15:35,220 --> 00:15:37,520
AND IF THAT'S TOO LONG
TO WAIT,

392
00:15:37,550 --> 00:15:39,490
I CAN ALWAYS GET LEMMY
FROM MOTORHEAD

393
00:15:39,520 --> 00:15:41,660
TO CUT OFF HIS CHEEKS
WITH A STRAIGHT RAZOR.

394
00:15:41,690 --> 00:15:43,660
TOTALLY UP TO YOU.
[ IMITATES RAZOR SLICING ]

395
00:15:43,690 --> 00:15:45,230
[ CHUCKLES ]

396
00:15:47,260 --> 00:15:49,070
GOOD?

397
00:15:51,470 --> 00:15:53,300
SHAKE IT OFF, PRINCESS.

398
00:16:00,410 --> 00:16:02,080
SHE'S ALL YOURS.

399
00:16:02,110 --> 00:16:04,310
THANK YOU.
YOU'RE WELCOME.

400
00:16:08,420 --> 00:16:10,250
Karen: HEY, YOU.

401
00:16:10,290 --> 00:16:11,650
WHAT'D HE SAY?

402
00:16:11,690 --> 00:16:13,460
I'LL NEVER TELL.

403
00:16:18,260 --> 00:16:20,000
COME HERE.

404
00:16:26,800 --> 00:16:30,170
SO, I GUESS I'M THE BIGGEST
LOSER OF ALL TIME.

405
00:16:30,210 --> 00:16:32,480
NOT EVEN CLOSE.

406
00:16:32,510 --> 00:16:36,280
TRUSTING SOMEONE DOES NOT MAKE
YOU INTO A LOSER, OKAY,

407
00:16:36,310 --> 00:16:37,580
'CAUSE YOU TOOK A LEAP.

408
00:16:37,610 --> 00:16:39,520
INTO A BRICK WALL.

409
00:16:39,550 --> 00:16:42,350
AND THAT'S
WHY IT HURTS SO MUCH.

410
00:16:42,390 --> 00:16:46,390
AND ALL YOU CAN DO
IS...LET IT HURT.

411
00:16:46,420 --> 00:16:48,420
[ SNIFFLES ]

412
00:16:53,500 --> 00:16:57,130
HEY! HEY!
LOOK WHO I FOUND!

413
00:16:57,170 --> 00:16:58,700
DAISY.
HEY.

414
00:16:58,730 --> 00:16:59,770
HI, BABY.

415
00:16:59,800 --> 00:17:01,570
OH,
SO THIS IS DAISY.

416
00:17:01,600 --> 00:17:03,710
YEAH.
DAISY, HANK.

417
00:17:03,740 --> 00:17:04,870
HANK, DAISY.

418
00:17:04,910 --> 00:17:09,080
YOU SEE THAT? EVERYBODY REALLY
DOES COME TO LEW ASHBY'S.

419
00:17:09,110 --> 00:17:11,850
HAVE YOU SEEN THE ENTIRE HOUSE,
ALL THE NOOKS AND CRANNIES?

420
00:17:11,880 --> 00:17:13,380
I COULD GIVE YOU
A GUIDED TOUR.

421
00:17:13,420 --> 00:17:15,350
NO, NO, NO. YOU'RE NOT
SQUIRRELING HER AWAY.

422
00:17:15,380 --> 00:17:16,520
NO. I JUST FOUND HER.

423
00:17:16,550 --> 00:17:18,450
SO, WHAT'S THE HAPS?

424
00:17:18,490 --> 00:17:20,290
OH, NOTHING MUCH.

425
00:17:20,320 --> 00:17:22,590
JUST SAME OLD, SAME OLD.

426
00:17:22,630 --> 00:17:24,290
NEXT GUIDED TOUR LEAVING
IN 30 SECONDS.

427
00:17:24,330 --> 00:17:25,760
COME ON, WE CAN TALK
ABOUT YOUR WORK.

428
00:17:25,790 --> 00:17:27,660
I'M NOT A BIG FAN
OF PORN MYSELF,

429
00:17:27,700 --> 00:17:30,400
BUT I WAS -- DON'T GET ME
WRONG -- IN MY FORMATIVE YEARS.

430
00:17:30,430 --> 00:17:32,540
DAISY, WHAT?
YOU CAME HERE ALL ALONE?

431
00:17:32,570 --> 00:17:33,600
WHAT?
OH, NO, NO, NO.

432
00:17:33,640 --> 00:17:34,770
SHE CAME WITH RONNY.

433
00:17:34,800 --> 00:17:36,670
WHERE THE FUCK
DID HE JUST GET OFF TO?

434
00:17:36,710 --> 00:17:38,410
RONNY!
RONNY.

435
00:17:38,440 --> 00:17:40,880
WELL, I'M NOT WITH RONNY.
HE WAS COMING TONIGHT.

436
00:17:40,910 --> 00:17:42,780
THOUGHT IT'D BE FUN
TO TAG ALONG, SO --

437
00:17:42,810 --> 00:17:44,880
THOUGHT YOU GUYS
MIGHT BE HERE.

438
00:17:44,910 --> 00:17:46,880
I KNOW LEW ASHBY'S PARTIES
ARE REALLY FAMOUS.

439
00:17:46,920 --> 00:17:48,250
RONNY!

440
00:17:48,280 --> 00:17:51,220
OI, OI. HOW DID I KNOW
I'D FIND YOU HERE?

441
00:17:51,250 --> 00:17:53,120
RUNKLE, HOW YOU DOING?

442
00:17:53,160 --> 00:17:54,260
HANK MOODY,
RONNY PRAEGER,

443
00:17:54,290 --> 00:17:56,660
THE VERY GIFTED AUTEUR
BEHIND "VAGINATOWN."

444
00:17:56,690 --> 00:17:58,130
Hank: OH, I'M HONORED.
I'M A BIG FAN.

445
00:17:58,160 --> 00:18:00,400
WHAT IS NEXT FOR YOU,
"A COCK-WORK ORANGE,"

446
00:18:00,430 --> 00:18:02,670
OR PERHAPS "2069:
A SIT-ON-MY-FACE ODYSSEY"?

447
00:18:02,700 --> 00:18:04,130
THAT'S ACTUALLY
NOT TOO FUCKING BAD.

448
00:18:04,170 --> 00:18:05,370
WE'VE ACTUALLY BEEN
TALKING ABOUT IT,

449
00:18:05,400 --> 00:18:06,400
HAVEN'T WE, SWEET TITS?

450
00:18:06,440 --> 00:18:08,740
WE'VE DECIDED
ON "NETWORK."
OH, "NETWORK."

451
00:18:08,770 --> 00:18:10,540
NO. WHAT ARE YOU
TALKING ABOUT -- DAISY?

452
00:18:10,570 --> 00:18:13,710
SHE DIDN'T TELL YOU?
DAISY IS GETTING OUT OF PORN.

453
00:18:13,740 --> 00:18:14,810
YOU ARE?

454
00:18:14,840 --> 00:18:16,310
DAISY'S HERE,
PORN'S OVER THERE.

455
00:18:16,350 --> 00:18:18,410
UH, YOU KNOW,
I'M GIVING IT SOME THOUGHT.

456
00:18:18,450 --> 00:18:20,420
NO.
YEAH.

457
00:18:20,450 --> 00:18:23,150
WHAT KIND OF SHIT-FOR-BRAINS
AGENT GAVE YOU THAT ADVICE?

458
00:18:23,190 --> 00:18:24,550
THAT'S
TERRIBLE ADVICE!

459
00:18:24,590 --> 00:18:27,160
I MEAN, SERIOUSLY, WHEN YOU'VE
GOT 100% USDA CHOICE BEEF

460
00:18:27,190 --> 00:18:28,290
LIKE THAT SLAPPIN' ABOUT,

461
00:18:28,320 --> 00:18:29,790
YOU DON'T LET IT GET
TO THE FREEZER.

462
00:18:29,830 --> 00:18:31,930
HEY, HEY, HEY. JUST BACK OFF,
BUDDY, WOULD YOU?

463
00:18:31,960 --> 00:18:33,760
OKAY? THE DECISION'S
BEEN MADE.

464
00:18:33,800 --> 00:18:35,830
DAISY DOESN'T WANT TO DO
ANY MORE PORN.

465
00:18:35,860 --> 00:18:37,730
AND MAYBE YOU SHOULD
JUST GET YOUR PAWS OFF HER,

466
00:18:37,770 --> 00:18:39,440
YOU KNOW,
GIVE HER A LITTLE SPACE.

467
00:18:39,470 --> 00:18:41,940
WHAT THE FUCK DO YOU CARE
WHERE HIS PAWS ARE?

468
00:18:41,970 --> 00:18:44,740
I DON'T THINK A GIRL SHOULD
BE HANDLED LIKE THAT AGAINST
HER WILL -- THAT'S ALL.

469
00:18:44,770 --> 00:18:45,810
IT'S FINE.
IT'S FINE?

470
00:18:45,840 --> 00:18:47,410
IT'S FINE
HE TOUCHES YOU?

471
00:18:47,440 --> 00:18:49,280
IT'S FINE YOU'RE OUT
ON A DATE WITH HIM?

472
00:18:49,310 --> 00:18:50,680
IT'S FINE THAT --

473
00:18:50,710 --> 00:18:52,580
THAT HE'S PLANNING THE REST
OF YOUR LIFE FOR YOU?

474
00:18:52,620 --> 00:18:54,420
WHAT? WHAT?
I MEAN, WHAT ABOUT US?

475
00:18:54,450 --> 00:18:55,450
WHAT?

476
00:18:55,480 --> 00:18:56,850
EXCUSE ME?

477
00:18:56,890 --> 00:18:57,790
PROFESSIONALLY
SPEAKING.

478
00:18:57,820 --> 00:18:59,760
CHARLIE, YOU LOOK LIKE
YOU NEED A REFILL.

479
00:18:59,790 --> 00:19:01,460
YOU LOOK DRY.
I THINK I SHOULD GO.

480
00:19:01,490 --> 00:19:03,260
I --
OH, NO, NO, NO, NO!

481
00:19:03,290 --> 00:19:05,530
NO. NO ONE'S
GOING ANYWHERE,

482
00:19:05,560 --> 00:19:07,960
NOT TILL
THIS SKINNY LITTLE PORNO HO

483
00:19:08,000 --> 00:19:10,400
TELLS ME
WHAT HE MEANT JUST NOW.

484
00:19:10,430 --> 00:19:11,730
CHARLIE?
UH, NOTHING.

485
00:19:11,770 --> 00:19:13,670
OKAY, YOU KNOW WHAT?
ALL RIGHT, FINE.

486
00:19:13,700 --> 00:19:14,970
I'M SORRY, MARCY, YOU KNOW,

487
00:19:15,000 --> 00:19:16,910
BUT AFTER ALL THE SHIT
WE'VE BEEN THROUGH,

488
00:19:16,940 --> 00:19:18,870
YOU KNOW,
PRETENDING IS POINTLESS.

489
00:19:18,910 --> 00:19:20,840
THIS IS
TOO MUCH FUCKING WORK.

490
00:19:20,880 --> 00:19:22,750
YOU KNOW, IT'S TOO MUCH MESS,
TOO MUCH CRAZINESS.

491
00:19:22,780 --> 00:19:25,750
I WANT TO GET A DIVORCE.
I'M GONNA BE WITH DAISY.

492
00:19:25,780 --> 00:19:29,490
THERE. I SAID IT OUT LOUD,
CAN'T TAKE IT BACK.

493
00:19:34,590 --> 00:19:36,430
YOU FUCKED MY MAN.

494
00:19:36,460 --> 00:19:38,290
MARCY, I -- MARCY --

495
00:19:38,330 --> 00:19:40,930
AAH!
[ GLASS BREAKING ]

496
00:19:40,960 --> 00:19:42,370
AH, YOU BITCH!

497
00:19:42,400 --> 00:19:43,700
DID YOU SEE THAT?

498
00:19:43,730 --> 00:19:45,430
OH!

499
00:19:45,470 --> 00:19:46,970
YOU FUCKING WHORE!

500
00:19:47,000 --> 00:19:48,570
WHOA! WHOA!

501
00:19:48,600 --> 00:19:50,470
WHAT ARE YOU DOING, MOODY?
YOU CAN'T STOP A GIRL FIGHT.

502
00:19:50,510 --> 00:19:52,580
YOU MIGHT ACCIDENTALLY HIT
ONE OF THEM.

503
00:19:52,610 --> 00:19:55,740
Hank: ASSHOLE. YOU JUST HAD
TO GO THERE, DIDN'T YOU?

504
00:19:55,780 --> 00:19:58,450
[ INDISTINCT SHOUTING ]

505
00:20:00,650 --> 00:20:02,250
NO, GO AHEAD.

506
00:20:02,290 --> 00:20:03,450
YOU DO THE HONORS.

507
00:20:03,490 --> 00:20:04,450
SURE?
YEAH.

508
00:20:04,490 --> 00:20:05,550
[ RIFLE COCKS ]

509
00:20:06,920 --> 00:20:08,990
[ SCREAMING ]

510
00:20:09,020 --> 00:20:11,860
[ LAUGHS ]

511
00:20:11,890 --> 00:20:16,600
WHAT WE HAVE HERE IS
A FAILURE TO COMMUNICATE.

512
00:20:16,630 --> 00:20:18,530
[ CRACKING ]

513
00:20:20,700 --> 00:20:22,870
[ SCREAMING ]

514
00:20:30,610 --> 00:20:33,850
ERROL FLYNN USED
TO SWING FROM THAT THING.

515
00:20:33,880 --> 00:20:36,790
WHAT, NO PROPS
FOR SAVING YOUR LIFE?

516
00:20:36,820 --> 00:20:37,950
COME ON.

517
00:20:37,990 --> 00:20:40,020
HEY, LEW.

518
00:20:40,060 --> 00:20:41,460
GREAT PARTY.

519
00:20:41,490 --> 00:20:43,460
YOU TAKING OFF?
THE NIGHT IS YOUNG.

520
00:20:43,490 --> 00:20:45,830
WE'LL TALK.

521
00:20:45,860 --> 00:20:48,430
BYE,
ANNIKA...STALEY.

522
00:20:48,460 --> 00:20:50,830
I USED TO KNOW THAT GIRL.
WHAT'D YOU DO TO HER?

523
00:20:50,870 --> 00:20:52,700
I DON'T WANT TO GO
INTO THE EXACT DETAILS,

524
00:20:52,740 --> 00:20:55,000
BUT I DID SOLVE THAT, UH,
LITTLE PROBLEM YOU WERE HAVING.

525
00:20:55,040 --> 00:20:57,670
YOU SOLVED IT
JUST LIKE THAT?

526
00:20:57,710 --> 00:20:58,970
YES, I DID.
HUH.

527
00:20:59,010 --> 00:21:01,610
I TOLD ANNIKA

528
00:21:01,640 --> 00:21:05,010
THAT I WAS THE SEXY OLDER MAN
THAT MIA'S BEEN BANGING --

529
00:21:05,050 --> 00:21:05,950
YOU KNOW,
THE ONE FROM THE BOOK.

530
00:21:05,980 --> 00:21:08,080
YEAH, BUT YOU HAVEN'T
EVEN READ THE BOOK.

531
00:21:08,120 --> 00:21:09,890
THAT'S WHAT YOU TAKE ME
FOR, RIGHT,

532
00:21:09,920 --> 00:21:11,650
LIKE A FUNCTIONAL
ILLITERATE?

533
00:21:11,690 --> 00:21:12,690
[ LAUGHS ]

534
00:21:12,720 --> 00:21:15,590
I READ THE LITTLE FUCKER --
NOT YOUR BEST WORK.

535
00:21:15,620 --> 00:21:16,830
NOT MY BEST WORK?

536
00:21:16,860 --> 00:21:17,930
GIRLS TALK
A LOT AFTER SEX.

537
00:21:17,960 --> 00:21:19,430
I MEAN,
DON'T GET DOWN ON YOURSELF.

538
00:21:19,460 --> 00:21:20,830
YOU HADN'T WRITTEN ONE
FOR A WHILE.

539
00:21:20,860 --> 00:21:22,530
I'M SURE THE NEXT ONE'S
GONNA BE A LOT BETTER.

540
00:21:22,570 --> 00:21:24,700
YOU HAVE TO SQUEEZE ONE
OUT OF THE CHAMBER,

541
00:21:24,730 --> 00:21:26,000
LET THE GOOD STUFF
COME THROUGH.

542
00:21:26,030 --> 00:21:27,840
[ LAUGHS ]

543
00:21:27,870 --> 00:21:29,100
[ LAUGHS ]

544
00:21:29,140 --> 00:21:31,470
WELL, THANK YOU,

545
00:21:31,510 --> 00:21:33,810
AND...FOR THE OTHER.

546
00:21:33,840 --> 00:21:35,410
WHATEVER, YOU KNOW?

547
00:21:35,440 --> 00:21:38,580
NO OFFENSE,
BUT I'M A MUCH BIGGER STORY.

548
00:21:38,610 --> 00:21:41,380
"CRAZY RECORD PRODUCER
LIVES ALONE IN BIG, EMPTY HOUSE

549
00:21:41,420 --> 00:21:43,890
WITH A TASTE FOR UNDERAGE
WOMEN" -- WRITES ITSELF.

550
00:21:43,920 --> 00:21:46,590
IT'S NOT
THE REAL STORY, THOUGH.
IT'S A STORY.

551
00:21:46,620 --> 00:21:48,860
IT'S A VERSION OF THE TRUTH --
THE EXTENDED DANCE MIX.

552
00:21:48,890 --> 00:21:52,130
SO, PROBLEM SOLVED.

553
00:21:52,160 --> 00:21:53,900
MARCY'S GONNA
COME BACK WITH US,

554
00:21:53,930 --> 00:21:56,530
AND I'M GONNA PUT ALL
THE ALCOHOL UNDER LOCK AND KEY.

555
00:21:56,570 --> 00:21:57,870
OH, THAT'S --
THAT'S GOOD.

556
00:21:57,900 --> 00:22:00,440
OH, NO, I HAVE
A BOTTLE STASHED --

557
00:22:00,470 --> 00:22:03,010
I KNOW WHERE ALL YOUR BOTTLES
ARE STASHED.

558
00:22:03,040 --> 00:22:05,370
OH.
YEAH.

559
00:22:05,410 --> 00:22:06,810
DAMN IT.

560
00:22:06,840 --> 00:22:09,980
SO, LEW, IT WAS
A TRULY DISASTROUS PARTY.

561
00:22:10,010 --> 00:22:11,450
IT WAS, WASN'T IT?
THANK YOU.

562
00:22:11,480 --> 00:22:12,780
THANK YOU.

563
00:22:12,820 --> 00:22:15,580
BUT YOU KNOW WHAT?
I UNDERESTIMATED YOU.

564
00:22:15,620 --> 00:22:17,020
ME?
MM-HMM.

565
00:22:17,050 --> 00:22:20,720
IN THE HEAT OF BATTLE, YOU SHONE
THROUGH, YOUR TRUE COLORS.

566
00:22:20,760 --> 00:22:25,460
HMM. WOW.
HIGH PRAISE.

567
00:22:25,490 --> 00:22:27,500
I BETTER LEAVE
ON THAT NOTE.

568
00:22:27,530 --> 00:22:29,600
THANKS FOR COMING.
THANKS FOR HAVING ME.

569
00:22:29,630 --> 00:22:30,930
[ WHISTLES ]

570
00:22:30,970 --> 00:22:31,930
[ CHUCKLES ]

571
00:22:31,970 --> 00:22:33,640
SEE YOU.

572
00:22:35,470 --> 00:22:36,870
WHAT WAS
THAT ALL ABOUT?

573
00:22:36,910 --> 00:22:38,710
I'LL NEVER TELL.

574
00:22:38,740 --> 00:22:40,580
MORE SECRETS, HUH?

575
00:22:40,610 --> 00:22:41,980
I KNOW.

576
00:22:42,010 --> 00:22:43,810
WELL, YOU KNOW,
IT'S SUCH AN EFFORT.

577
00:22:43,850 --> 00:22:45,680
I HAVE TO RETAIN
MY AURA OF MYSTERY.

578
00:22:45,710 --> 00:22:47,150
IT'S NO EFFORT.

579
00:22:52,820 --> 00:22:53,820
MM.

580
00:22:53,860 --> 00:22:54,820
GOOD NIGHT.

581
00:22:54,860 --> 00:22:55,920
GOOD NIGHT.

582
00:23:07,700 --> 00:23:09,000
HEY.

583
00:23:09,040 --> 00:23:11,170
THOUGHT I'D BE
FASHIONABLY LATE.

584
00:23:11,210 --> 00:23:12,210
YOU CAME.

585
00:23:12,240 --> 00:23:13,680
I WAS INVITED, RIGHT?

586
00:23:13,710 --> 00:23:16,610
YES, BUT I-I NEVER THOUGHT
YOU'D ACTUALLY SHOW.

587
00:23:16,650 --> 00:23:18,680
JUST WAIT RIGHT HERE.
LEW'S, LIKE, THREE FEET AWAY.

588
00:23:18,710 --> 00:23:20,020
NO, NO, NO.
WAIT A MINUTE. LEW?

589
00:23:20,050 --> 00:23:21,580
YEAH, LEW.

590
00:23:21,620 --> 00:23:23,690
AND WHAT IF I DIDN'T COME
TO SEE LEW?

591
00:23:23,720 --> 00:23:25,720
THEN YOU'RE NOT MAKING
ANY SENSE, WOMAN.

592
00:23:25,750 --> 00:23:26,960
I CAN'T LIE, HANK MOODY.

593
00:23:26,990 --> 00:23:28,920
I THINK YOU STIRRED
SOMETHING UP IN ME.

594
00:23:28,960 --> 00:23:30,130
OH.

595
00:23:30,160 --> 00:23:31,860
MEMORIES --
MISTY, WATERCOLORED ONES.

596
00:23:31,890 --> 00:23:33,060
LOOK AROUND, LADY.

597
00:23:33,100 --> 00:23:34,730
ALL THIS IS FOR YOU --
ALL OF IT --

598
00:23:34,760 --> 00:23:36,730
THE CRAZY FUCKING HOUSE,
THE PARTY, EVERYTHING.

599
00:23:36,770 --> 00:23:39,130
REALLY?
YEAH.

600
00:23:39,170 --> 00:23:40,800
I ALREADY HAVE A HOUSE.

601
00:23:40,840 --> 00:23:43,610
IT'S A TOTALLY SOULLESS ONE.
THIS IS A REAL HOUSE.

602
00:23:43,640 --> 00:23:45,570
IT'S OLD
AND BROKEN AND BATTERED

603
00:23:45,610 --> 00:23:48,110
'CAUSE SHIT HAPPENS HERE --
REAL SHIT.

604
00:23:48,140 --> 00:23:49,980
YEAH. LOOKS LIKE SOME
REAL SHIT HAPPENED HERE.

605
00:23:50,010 --> 00:23:53,050
AH, IGNORE THAT.
THINGS FALL APART. THEY BREAK.

606
00:23:53,080 --> 00:23:54,480
THAT'S LIFE.

607
00:23:54,520 --> 00:23:55,720
OH, I SEE.

608
00:23:55,750 --> 00:23:58,490
SO, LIFE HAS TO BE SAD
AND BROKEN, HAUNTED?

609
00:23:58,520 --> 00:24:00,190
YES.

610
00:24:00,220 --> 00:24:02,690
I DON'T BUY IT.

611
00:24:02,730 --> 00:24:03,990
THIS PLACE LOOKS AWFUL.

612
00:24:04,030 --> 00:24:05,530
IT LOOKS LIKE
SOMEBODY DIED HERE.

613
00:24:05,560 --> 00:24:07,730
SOMEBODY ALMOST DID,
BUT NOT TONIGHT.

614
00:24:07,760 --> 00:24:09,230
JUST WAIT HERE.
STAY PUT.

615
00:24:09,260 --> 00:24:11,000
HEY, LEW!

616
00:24:11,030 --> 00:24:12,870
LEW!

617
00:24:12,900 --> 00:24:15,100
* NO ONE KNOWS WHAT IT'S LIKE

618
00:24:15,140 --> 00:24:17,610
* TO BE THE BAD MAN

619
00:24:17,640 --> 00:24:19,680
Lew: OH, YEAH.

620
00:24:19,710 --> 00:24:21,140
* TO BE THE SAD MAN

621
00:24:21,180 --> 00:24:23,280
I FORGOT
ABOUT THAT.

622
00:24:23,310 --> 00:24:27,250
* BEHIND BLUE EYES

623
00:24:27,280 --> 00:24:28,750
YES?

624
00:24:28,780 --> 00:24:30,090
* NO ONE KNOWS
WHAT IT'S LIKE *

625
00:24:30,120 --> 00:24:31,520
* TO BE HATED

626
00:24:31,550 --> 00:24:33,120
OUT.
EVERYBODY OUT, PLEASE.

627
00:24:33,160 --> 00:24:34,790
PLEASE.
THANK YOU.
HEY. WAIT.

628
00:24:34,820 --> 00:24:37,030
WHAT THE FUCK ARE YOU DOING?
DON'T GO. DON'T GO.

629
00:24:37,060 --> 00:24:38,090
THANK YOU.
WHAT THE F--

630
00:24:38,130 --> 00:24:39,090
SHE'S HERE.
SHE WHO?

631
00:24:39,130 --> 00:24:41,030
"SHE WHO"?
JANIE, YOU ASSHOLE.

632
00:24:41,060 --> 00:24:42,670
SHE CAME.

633
00:24:42,700 --> 00:24:44,730
NO WAY.
YES WAY.

634
00:24:44,770 --> 00:24:46,000
GET YOUR ASS DOWNSTAIRS
RIGHT NOW.

635
00:24:46,030 --> 00:24:47,970
NO. I MEAN, NO WAY.

636
00:24:48,000 --> 00:24:49,270
NO FUCKING WAY
I'M GOING DOWN THERE.

637
00:24:49,300 --> 00:24:51,110
DID YOU NOT HEAR ME?

638
00:24:51,140 --> 00:24:53,710
YOU --
YOU GO TALK TO HER.

639
00:24:53,740 --> 00:24:56,610
YOU WANT ME TO TALK TO HER?
WHAT IS THIS, FIFTH GRADE?

640
00:24:56,650 --> 00:24:59,680
LOOK, I CAN'T,
I MEAN, NOT AFTER ALL THIS TIME,

641
00:24:59,720 --> 00:25:01,980
AFTER ALL THE SHIT
THAT I PULLED.

642
00:25:02,020 --> 00:25:02,990
I-I DON'T KNOW.

643
00:25:03,020 --> 00:25:05,090
ACCORDING TO HER,
YOU'RE NOT SUCH A BAD BOY.

644
00:25:05,120 --> 00:25:07,660
I MEAN, YOU KNOW, YOU LOVE MUSIC
A LITTLE TOO MUCH,

645
00:25:07,690 --> 00:25:08,890
BLAH, BLAH, BLAH.

646
00:25:08,920 --> 00:25:10,090
SHE SAID THAT SHIT?
YEAH.

647
00:25:10,130 --> 00:25:12,330
I MEAN, MAYBE SHE
REALLY DOES LOVE ME.

648
00:25:12,360 --> 00:25:14,130
WHY?

649
00:25:14,160 --> 00:25:15,730
BECAUSE
IT'S A BIG FUCKING LIE

650
00:25:15,760 --> 00:25:17,770
BECAUSE I DID ALL KINDS
OF BAD SHIT TO HER.

651
00:25:17,800 --> 00:25:19,000
I-I FUCKED AROUND CONSTANTLY.

652
00:25:19,030 --> 00:25:20,640
I CRASHED A CAR
INTO HER HOUSE.

653
00:25:20,670 --> 00:25:22,100
I, YOU KNOW, SHIT --

654
00:25:22,140 --> 00:25:25,140
ONCE I EVEN...MADE HER
GET AN ABORTION.

655
00:25:25,170 --> 00:25:26,640
YOU MADE HER?

656
00:25:26,680 --> 00:25:28,940
WELL, IT'S NOT LIKE I DID IT
MYSELF OR ANYTHING.

657
00:25:28,980 --> 00:25:31,050
IT'S JUST...
WHAT?

658
00:25:32,780 --> 00:25:35,820
I WAS KIND OF FUCKING THIS
OTHER GIRL AT THE SAME TIME.

659
00:25:35,850 --> 00:25:38,290
WHILE SHE WAS PREGNANT?
SURE.

660
00:25:38,320 --> 00:25:40,760
ONLY YOU DIDN'T KNOW THAT.
NO, I KNEW.

661
00:25:40,790 --> 00:25:42,990
I JUST -- I WAS...

662
00:25:43,030 --> 00:25:45,760
SCARED SHITLESS, SO...

663
00:25:45,790 --> 00:25:47,800
KIND OF LIKE
YOU ARE RIGHT NOW?
YEAH, YEAH, YEAH.

664
00:25:47,830 --> 00:25:50,200
SIT DOWN, RATSO RIZZO,
YOU'RE MAKING ME NERVOUS.

665
00:25:50,230 --> 00:25:51,770
COME ON.
HAVE A SEAT.

666
00:25:51,800 --> 00:25:53,640
I'M ONLY GONNA SAY
THIS ONCE,

667
00:25:53,670 --> 00:25:55,700
SO I WANT YOU TO LISTEN,
ALL RIGHT?

668
00:25:55,740 --> 00:25:58,810
NO MATTER WHAT YOU DID,
DON'T GIVE UP.

669
00:25:58,840 --> 00:26:01,040
DO NOT GIVE UP.

670
00:26:01,080 --> 00:26:03,310
WHY?

671
00:26:03,350 --> 00:26:06,750
BECAUSE IF SHE LOVES YOU,
SHE'LL FORGIVE YOU.

672
00:26:06,780 --> 00:26:07,980
YOU REALLY BELIEVE THAT?

673
00:26:08,020 --> 00:26:09,250
I HAVE TO.

674
00:26:09,280 --> 00:26:11,920
OTHERWISE
THERE'S NO POINT.

675
00:26:11,950 --> 00:26:14,890
THERE IS NO LIFE
WITHOUT LOVE --

676
00:26:14,920 --> 00:26:17,160
NONE WORTH HAVING,
ANYWAY.

677
00:26:17,190 --> 00:26:20,360
[ INHALES, EXHALES DEEPLY ]

678
00:26:21,900 --> 00:26:23,670
FUCK IT.
YOU'RE RIGHT.

679
00:26:23,700 --> 00:26:27,040
ALL RIGHT. I'M GONNA DO THIS.
IT'S GONNA SUCK.

680
00:26:27,070 --> 00:26:28,640
HOW DO I LOOK?

681
00:26:28,670 --> 00:26:30,740
LIKE A BIG DOUCHE BAG...
THANK YOU.

682
00:26:30,770 --> 00:26:34,310
...A VERY, VERY SEXY
DOUCHE BAG.

683
00:26:34,340 --> 00:26:36,080
JUST LET ME GRAB
MY JACKET.

684
00:26:36,110 --> 00:26:37,310
ALL RIGHT.

685
00:26:37,350 --> 00:26:39,050
FIX MY HAIR.

686
00:26:39,080 --> 00:26:40,680
THERE YOU GO.

687
00:26:42,420 --> 00:26:44,150
[ EXHALES DEEPLY ]

688
00:26:44,190 --> 00:26:45,690
YOU GOT IT.
HANG ON.

689
00:26:45,720 --> 00:26:47,890
WHAT?
YOU'RE GONNA DO THAT NOW?

690
00:26:47,920 --> 00:26:50,360
OKAY, HURRY UP.

691
00:26:50,390 --> 00:26:51,690
CHILL OUT.

692
00:26:51,730 --> 00:26:52,800
DO YOU WANT --
DO YOU WANT ONE?

693
00:26:52,830 --> 00:26:54,160
JUST GO AHEAD.
YOU FIRST.

694
00:26:56,330 --> 00:26:57,900
WHOA!

695
00:26:57,930 --> 00:26:59,670
COME ON.

696
00:26:59,700 --> 00:27:02,370
COME ON.

697
00:27:04,370 --> 00:27:07,010
YOU GOOD?
FORTIFIED?

698
00:27:07,040 --> 00:27:08,740
LET'S GO.

699
00:27:08,780 --> 00:27:09,980
LET'S GO.

700
00:27:10,010 --> 00:27:12,310
[ SNIFFS ]

701
00:27:12,350 --> 00:27:14,080
WHAT?

702
00:27:14,120 --> 00:27:15,280
[ GROANS ]

703
00:27:15,320 --> 00:27:16,280
OH.

704
00:27:16,320 --> 00:27:17,450
LEW.

705
00:27:17,490 --> 00:27:19,220
LEW! LEW!

706
00:27:19,250 --> 00:27:20,820
[ MOANING ]

707
00:27:20,860 --> 00:27:22,020
SHIT. LEW.

708
00:27:22,060 --> 00:27:23,360
WHERE'S YOUR
FUCKING PEN?

709
00:27:25,190 --> 00:27:28,260
I GOT IT. I GOT IT.
I GOT IT.

710
00:27:29,460 --> 00:27:32,300
THERE YOU GO.
THAT'S GOOD, RIGHT?

711
00:27:32,330 --> 00:27:33,470
* BE THE BAD MAN
LEW!

712
00:27:33,500 --> 00:27:35,340
* BE THE SAD MAN
LEW!

713
00:27:35,370 --> 00:27:37,440
[ Echoing ]
LEW.

714
00:27:37,470 --> 00:27:38,710
LEW!

715
00:27:38,740 --> 00:27:42,950
* BEHIND BLUE EYES
LEW!

716
00:27:45,150 --> 00:27:48,120
-- Captions by VITAC --
www.vitac.com

717
00:27:48,150 --> 00:27:51,120
CLOSED CAPTIONING PROVIDED BY
SHOWTIME NETWORKS

718
00:27:51,150 --> 00:27:54,160
AND BLIND DECKER PRODUCTIONS